![]() ![]() Everything was set up for it Apple’s screen tech is now lovely by default, and the M1 chip has revolutionised their Mac lineup. That’s why the 24” M1 iMac couldn’t fail. The combination of super-fast internals, sleek design, and drop-dead gorgeous screen make the iMac an unlikely bargain. ![]() You might be able to take a 4k clip to your Apple Store and try it on an iMac with FCP X to get a feel for the performance.Once you’ve owned an iMac, you won’t want to use any other kind of desktop computer ever again.Īs a complete all-in-one package, I think it’s unbeatable. I would personally recommend a higher-end Mac. So you must have enough storage for these.Ī good 3rd party tool to help manage FCP X space is Final Cut Library File Manager: Even though the resolution is lower, they are ProRes files so are much less compressed. Proxy files take up additional space - I'd estimate about equal space to the original camera native files. On my top-spec 2015 iMac 27, I can get by without using proxy on short single-stream 4k videos, but it can be a little laggy for rapid "JKL" editing. This enables lower-horsepower computers to have a chance at editing 4k. It is seamless, requires no management and is very reliable. Then before your final export just remember to select "view optimized/original" and it will automatically use all your edits on the original res files. On import or afterward you can transcode your 4k media to proxy, then in the upper-right of the viewer select "view proxy", and all subsequent editing and viewing will automatically be on the proxy files which are 1/4 the resolution (1/2 the X&Y linear resolution). This should make sense - it is 4 times the data of 1080p.Ī big advantage of FCP X is the built-in seamless proxy workflow. 4k is just very demanding from both CPU and space standpoints. Click to expand.I shoot and edit lots of 4k with the A7RII and other cameras. ![]()
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